Thursday, September 11, 2025

Wednesday, September 10, 2025

Friday, May 2, 2025

There is only one way

 "'Yes! Very funny this terrible thing is. A man that is born falls into a dream like a man who falls into the sea. If he tries to climb out into the air as inexperienced people endeavour to do, he drowns- nicht wahr?... No! I tell you! The way is to the destructive element submit yourself, and with the exertions of your hands and feet in the water make the deep, deep sea keep you up. So if you ask me- how to be?'

"His voice leaped up extraordinarily strong, as though away there in the dusk he had been inspired by some whisper of knowledge. 'I will tell you! For that, too, there is only one way.'

"With a hasty swish swish of his slippers he loomed up in the ring of faint light, and suddenly appeared in the bright circle of the lamp. His extended hand aimed at my breast like a pistol; his deep-set eyes seemed to pierce through me, but his twitching lips uttered no word, and the austere exaltation of a certitude seen in the dusk vanished from his face. The hand that had been pointing at my breast fell, and by-and-by, coming a step nearer, he laid it gently on my shoulder. There were things, he said mournfully, that perhaps could never be told, only he had lived so much alone that sometimes he forgot- he forgot. The light had destroyed the assurance which had inspired him in the distant shadows. He sat down and, with both elbows on the desk, rubbed his forehead. 'And yet it is true it is true. In the destructive element immerse.'... He spoke in a subdued tone, without looking at me, one hand on each side of his face. 'That was the way. To follow the dream, and again to follow the dream- and so- ewig- usque ad finem....' The whisper of his conviction seemed to open before me a vast and uncertain expanse, as of a crepuscular horizon on a plain at dawn- or was it, perchance, at the coming of the night? One had not the courage to decide; but it was a charming and deceptive light, throwing the impalpable poesy of its dimness over pitfalls- over graves. His life had begun in sacrifice, in enthusiasm for generous ideas; he had travelled very far, on various ways, on strange paths, and whatever he followed it had been without faltering, and therefore without shame and without regret. In so far he was right. That was the way, no doubt. Yet for all that the great plain on which men wander amongst graves and pitfalls remained very desolate under the impalpable poesy of its crepuscular light, overshadowed in the centre, circled with a bright edge as if surrounded by an abyss full of flames. When at last I broke the silence it was to express the opinion that no one could be more romantic than himself.

From Joseph Conrad, Lord Jim

Wednesday, December 4, 2024

Friday, October 18, 2024

 Love has a thousand shapes.

-To the Lighthouse, Virginia Woolf

Thursday, October 10, 2024

Woolf

 "Like a work of art," she repeated, looking from her canvas to the

drawing-room steps and back again. She must rest for a moment. And,

resting, looking from one to the other vaguely, the old question which

traversed the sky of the soul perpetually, the vast, the general

question which was apt to particularise itself at such moments as

these, when she released faculties that had been on the strain, stood

over her, paused over her, darkened over her. What is the meaning of

life? That was all--a simple question; one that tended to close in on

one with years. The great revelation had never come. The great

revelation perhaps never did come. Instead there were little daily

miracles, illuminations, matches struck unexpectedly in the dark;

here was one. This, that, and the other; herself and Charles Tansley

and the breaking wave; Mrs. Ramsay bringing them together; Mrs. Ramsay

saying, "Life stand still here"; Mrs. Ramsay making of the moment

something permanent (as in another sphere Lily herself tried to

make of the moment something permanent)--this was of the nature

of a revelation. In the midst of chaos there was shape; this eternal

passing and flowing (she looked at the clouds going and the leaves

shaking) was struck into stability. Life stand still here, Mrs. Ramsay

said. "Mrs. Ramsay! Mrs. Ramsay!" she repeated. She owed it all to her.

To the Lighthouse 

Thursday, September 12, 2024

Henry Miller

All is creation, all is change, all is flux, all is metamorphosis.

Saturday, August 24, 2024

Sight v. Sound

The geranium in the urn became startlingly visible and, displayed among

its leaves, he could see, without wishing it, that old, that obvious

distinction between the two classes of men; on the one hand the steady

goers of superhuman strength who, plodding and persevering, repeat the

whole alphabet in order, twenty-six letters in all, from start to finish;

on the other the gifted, the inspired who, miraculously, lump all the

letters together in one flash--the way of genius. 

- Virigina Woolf, To the Lighthouse 

Thursday, May 16, 2024

Swerve

"Why is it invariably I who swerves first? Why precisely me and not him?"

- Dostoyevsky, Notes from the Underground

Friday, February 23, 2024

But I am more than dust and ashes: I am my best part, I am my soul.

- John Donne

The Friend

“This is not two friends who engage in thought”, Deleuze and Guattari write; “rather, it is thought itself which requires this division of thought between friends” (WIP: 69).

This operation takes place as if the personae were so many divers, descending from the plane of immanence into the sea below, where singularities lie scattered like so many stray pearls. Braving the depths, the personae collect these shimmering ordinates (chiffres) and then return to the surface, where these singularities will be thrown on a table of immanence like “a handful of dice from chance-chaos” (WIP: 75). With each throw, we induce the features that will be arrayed, collected and diagrammed in the concept. 

 Gregg Flaxman

Tuesday, January 9, 2024

Antoine de Saint-Exupéry

 “Have you ever thought, not only about the airplane but whatever man builds, that all of man’s industrial efforts, all his computations and calculations, all the nights spent working over draughts and blueprints, invariably culminate in the production of a thing whose sole and guiding principle is the ultimate principle of simplicity?

It is as if there were a natural law which ordained that to achieve this end, to refine the curve of a piece of furniture, or a ship’s keel, or the fuselage of an airplane, until gradually it partakes of the elementary purity of the curve of the human breast or shoulder, there must b experimentation of several generations of craftsmen. In anything at all, perfection is finally attained not when there is no longer anything to add, but when there is no longer anything to take away, when a body has been stripped down to its nakedness.”

― Antoine de Saint-Exupéry

#creativeevolution

Wednesday, January 3, 2024

Sata Sa Gnata

Sata Sa Gnata: Difference is better than resemblance.

The speech of silence is achieved when words, and their potential ability to hurt meaning, are done away with. Words entrap meaning, torture it, slice it into pieces the way a butcher cuts the meat of a slaughtered animal and serves it to us...In silence, meaning is no longer heard, but felt; and feeling is the best hearing, the best instrument for recording meaning. 

Of Water and the Spirit, Malidoma Patrice Some

Tuesday, November 14, 2023

On Love

Genuine love neither presupposes a judgement nor is it a sentimentality. Its unique feature is that it is always love for a person; it is directed towards the person as reality. But what is reality? Certainly it is the other's physical charms, but also the other's mental-spiritual qualities, and over and above these there always remains that which is unfathomable. This is the true object of love. In proceeding towards its object love makes everything of value achieve the highest possible value ideally destined for it; and in this way it brings out the highlights of another's worth. Love elevates, it never degrades; at its highest pitch it is not love for something alien, but participation in it as something inalienable.

Life of Naropa, Herbert Guenther

Tuesday, October 3, 2023

King of Kong

About a month ago, I watched King of Kong with my then 11-yo son. I think we both really enjoyed it. Billy Mitchell, the villain, is the teeth in the ass of the bear, Steve Wiebe, who is even too shy to correct the referee Walter Day on the pronunciation of his own name. Somehow, in some weird way, Steve needed Billy to motivate him on to break the records. They were connected like an assemblage, the crystalline and the organic.

Thursday, September 21, 2023

Follow the curve

Twenty-one years ago today, W.G. Sebald was driving to Norwich, the city explored in his internationally acclaimed novel The Rings of Saturn. He had just pulled on to the A-146 when his car “failed to follow the curve and drove straight into the opposite lane.” 

https://www.towntopics.com/wordpress/2022/12/14/thoughts-on-the-fine-art-of-vertigo-with-w-g-sebald-and-franz-kafka/

Thursday, June 22, 2023

Literature

"For literature is like schizophrenia; a process and not a goal, a production and not an expression."

- Anti-Oedipus, p.133

Sunday, May 14, 2023

Wednesday, May 10, 2023

Anti-Oedipus

"In the literary machine that Proust’s “In Search of Lost Time” constitutes, we are struck by the fact that all the parts are produced as asymmetrical sections, paths that suddenly come to an end, hermetically sealed boxes, noncommunicating vessels, watertight compartments, in which there are gaps even between things that are contiguous, gaps that are affirmations, pieces of a puzzle belonging not to any one puzzle but to many, pieces assembled by forcing them into a certain place where they may or may not belong, their unmatched edges violently forced out of shape, forcibly made to fit together, to interlock, with a number of pieces always left over.”

 

Monday, May 8, 2023

AlphaGo

"AlphaGo look like the real mirror. When you play with AlphaGo, you feel very strange. You look like you're all the time naked. The first time you see this, you don't want to see, because, "This is me? Real me?" And more and more you need to accept. "Oh, this is the real me. So now, how can I do it?""

 - Fan Hui, 1:05

Wednesday, April 12, 2023

From Letters and Other Texts (2015)

 From Letters and Other Texts (2015):

p.201: In any case, fluxes flow.

p.216: Delirium is the peasant missing the furrow with the plow. And all sexuality is that.

p.223: It's simple, when you are fucking, when you are having an orgasm...the is no image.

p.225: Intensities drain images.

p.226: The image is the extension than an intensity takes when it dies.

p.239:  Schizo-analysis can be done anywhere, anytime, with anyone, without a contract, without transference.

p.254: I do not invent anything, I do not project anything, I do not bring anything into the world, I am nothing, not even a nothing, especially not: nothing more than an expression.

p. 257: Softness of the belly, as Giono wrote: consciousness is softness.



Monday, November 14, 2022

Our world is a cracked bell that no longer sounds

- Goethe

Circled with a bright edge

 'And yet it is true it is true. In the destructive element immerse.'... He spoke in a subdued tone, without looking at me, one hand on each side of his face. 'That was the way. To follow the dream, and again to follow the dream- and so- ewig- usque ad finem....' The whisper of his conviction seemed to open before me a vast and uncertain expanse, as of a crepuscular horizon on a plain at dawn- or was it, perchance, at the coming of the night? One had not the courage to decide; but it was a charming and deceptive light, throwing the impalpable poesy of its dimness over pitfalls- over graves. His life had begun in sacrifice, in enthusiasm for generous ideas; he had travelled very far, on various ways, on strange paths, and whatever he followed it had been without faltering, and therefore without shame and without regret. In so far he was right. That was the way, no doubt. Yet for all that the great plain on which men wander amongst graves and pitfalls remained very desolate under the impalpable poesy of its crepuscular light, overshadowed in the centre, circled with a bright edge as if surrounded by an abyss full of flames. When at last I broke the silence it was to express the opinion that no one could be more romantic than himself.

Conrad, Lord Jim

Thursday, June 16, 2022

On Love


From "The Shortest Shadow", by Alenka Zupancic, p.174-175.

Wednesday, May 25, 2022

Eternal Return

I think the eternal return is comparable to when you have a wisp or grasp of an idea or a sentence and it flies away from you and you know if it has any importance or resilience, it will come back, perhaps in a more distilled or complete form. It takes a certain amount of faith, and to fear losing the grasp of concepts sometimes invokes anxiety. But the mere fact that robust concepts are structured to be remembered tells me that we live in a world that operates as gyre, a magical sorting hat. Our agency is delusional, yet when coincidences, synchronicities, and signs surface unexpectedly, my faith in the path (Way) redoubles.

Wednesday, May 4, 2022

Notes on the Third Section of Alenka Zupancic's "The Shortest Shadow"

P.126: 

"God is this radical negativity."

P.127:

"To will nothingness" and "to will something" becomes a hinge such that the structure collapses in upon itself and one is left in depression. The depressive desires nothingness, yet to achieve that desire is to feel the pain that there is nothing to will, like the spirit of gd leaving the body.

 P.133: 

This third eye is in fact the envelope, a double helix with another circle or helix traced inside the center, pure potentiation or non-negative difference.

P.135:

The donkey brays "Ya-Ya" as the beat generation said "yes yes yes" to everything, to piss and shit and fucking indifferently. These blind affirmations are as useless as negations.

P.136:

To affirm is to "set free what lives." This happens by virtue of the eternal return. The gyre spins and at the point of inscription, for the duration of an infinitely short moment, the Real is set free to make its mark.

P.145:

Break on the break. https://www.youtube.com/watch?v=FFKMtv8tU0U

P.148

Discussion of the metonymic object of desire. This connection between words and desire (as opposed to metaphor) is integral, and relates itself to the fable of What the Tortoise Said to Achilles. This pulsation of perpetual desire is in fact Eros, akin the pulsation of orgasm or the hair flip of a squirrel's tail that is in heat.

P.153

Beyond good and evil is the eternal return.

P.160

"Dead things are looking at us," and the vitality of detritus, squalor. (cf. Jane Bennett)

P.173

"We see the difference between the object and the Thing without ever seeing the Thing." This is the function of parallax.

p.174-175

Zupancic' theory of love.

Thursday, April 28, 2022

That Wonderful Inconsistency

 “Do you want to be a gentleman, to spite her or to gain her over?” Biddy quietly asked me, after a pause.

“I don’t know,” I moodily answered.

“Because, if it is to spite her,” Biddy pursued, “I should think—but you know best—that might be better and more independently done by caring nothing for her words. And if it is to gain her over, I should think—but you know best—she was not worth gaining over.”

Exactly what I myself had thought, many times. Exactly what was perfectly manifest to me at the moment. But how could I, a poor dazed village lad, avoid that wonderful inconsistency into which the best and wisest of men fall every day?

“It may be all quite true,” said I to Biddy, “but I admire her dreadfully.”


- Dickens, Great Expectations

Khora, the womb and formless interval, the matrix of possibility

https://en.wikipedia.org/wiki/Kh%C3%B4ra 

All the light that does not blind us resides within the soul

Monday, April 11, 2022

Wednesday, April 6, 2022

If/then

The capacity for rationality is best expressed by the ability to perform networked and causally dependent if/then logic. If/then logic demonstrates an understanding of timing, sequence, chained prognostication. I once had an ex named Anna G who appeared to not be able to plan beyond the moment.

reversal as negation

Monday, December 20, 2021

Nabokov

 "Infinite perfections fill the gap between the little given and the great promised."

Monday, October 18, 2021

Emerson on Abandonment

The one thing which we seek with insatiable desire is to forget ourselves, to be surprised out of our propriety, to lose our sempiternal memory and to do something without knowing how or why; in short to draw a new circle. Nothing great was ever achieved without enthusiasm. The way of life is wonderful; it is by abandonment. The great moments of history are the facilities of performance through the strength of ideas, as the works of genius and religion. "A man" said Oliver Cromwell "never rises so high as when he knows not whither he is going." Dreams and drunkenness, the use of opium and alcohol are the semblance and counterfeit of this oracular genius, and hence their dangerous attraction for men. For the like reason they ask the aid of wild passions, as in gaming and war, to ape in some manner these flames and generosities of the heart.

Thursday, September 30, 2021

Sunday, August 15, 2021

Immanence

"We will say of pure immanence that it is A LIFE, and nothing more. It is not immanent to life, but the immanence that is in nothing else is itself a life. A life is the immanence of immanence, absolute immanence: it is complete power, complete beatitude." - Gilles Deleuze

Saturday, May 29, 2021

Dialogues

 In each of us there is, as it were, an ascesis, in part turned against ourselves. We are deserts, but populated by tribes, flora and fauna. We pass our time in ordering these tribes, arranging them in other ways, getting rid of some and encouraging others to prosper. And all these clans, all these crowds, do not undermine the desert, which is our very ascesis; on the contrary they inhabit it, they pass through it, over it.

Thursday, April 29, 2021

Immanence, Jack London, Buck

There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive. This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad on a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight. He was sounding the deeps of his nature, and of the parts of his nature that were deeper than he, going back into the womb of Time. He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars and over the face of dead matter that did not move.

The "summit of life", the apex, this "complete forgetfulness" is immanence of course, but also maps to the apex of the normal distribution, the tip of gabriel's horn even, the point of inscription that is the minutest cylinder/cone of infinite length but finite volume, the point at which "In the Penal Colony" the inscription of the sentence/judgement is contemporaneous with death.

Sunday, April 11, 2021

Ahab

 Bungle away at it then, and bring it to me (turns to go). Oh, Life! Here I am, proud as Greek god, and yet standing debtor to this blockhead for a bone to stand on! Cursed be that mortal inter-indebtedness which will not do away with ledgers. I would be free as air; and I’m down in the whole world’s books. I am so rich, I could have given bid for bid with the wealthiest Prætorians at the auction of the Roman empire (which was the world’s); and yet I owe for the flesh in the tongue I brag with. By heavens! I’ll get a crucible, and into it, and dissolve myself down to one small, compendious vertebra. So.

Friday, March 26, 2021

Fitzgerald on Crack

"Instead of being so sorry for yourself, listen—"she said. (She always says "Listen," because she thinks while she talks—really thinks.) So she said: "Listen. Suppose this wasn't a crack in you—suppose it was a crack in the Grand Canyon."

"The crack's in me," I said heroically.

"Listen! The world only exists in your eyes—your conception of it. You can make it as big or as small as you want to. And you're trying to be a little puny individual. By God, if I ever cracked, I'd try to make the world crack with me. Listen! The world only exists through your apprehension of it, and so it's much better to say that it's not you that's cracked—it's the Grand Canyon." 

Saturday, February 13, 2021

El Aleph

 On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph’s diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror’s face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I’d seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny — Philemon Holland’s — and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon — the unimaginable universe.

Rebel Without a Cause


 

Tuesday, February 2, 2021

Moby Dick / Lucretius

Come, Ahab’s compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run.

- Herman Melville

Friday, November 13, 2020

Emerson, via BKR

 "There is a process in the mind very analogous to crystallization in the mineral kingdom. I think of a particular fact of singular beauty and interest. In thinking of it I am led to many more thoughts which show themselves, first partially, and afterwards more fully. But in the multitude of them I see no order. When I would present them to others they have no beginning. There is no method. Leave them now, and return to them again. Domesticate them in your mind, do not force them into arrangement too hastily, and presently you shall find they will take their own order. And the order they assume is divine. It is God's architecture." - Journals, Jan 7, 1832

Sunday, October 11, 2020

"Joy emerges as the sole motivation for philosophizing." (PI:84)

"I am no longer myself but thought's aptitude for finding itself and spreading across a plane that passes through me at several places" (WIP:64)

This operation takes place as if the personae were so many divers, descending from the plane of immanence into the sea below, where singularities lie scattered like so many stray pearls. Braving the depths, the personae collect these shimmering ordinates (chiffres) and then return to the surface, where these singularities will be thrown on a table of immanence like "a handful of dice from chance-chaos" (Flaxman 2019, WIP:75)

Giant Steps

In Giant Steps, Coltrane incarnates ideas within modal scales, like boxes inside boxes, a nested solo.

 https://www.youtube.com/watch?v=30FTr6G53VU