The Best Parody of the Events of May 1968?

http://video.google.com/videoplay?docid=4616099768327171653

You Don’t Know Jack: Kerouac Biographer Joyce Johnson and ‘The Voice Is All’ - The Daily Beast:

Finally, after years of suppressing his French-Canadian lineage in his writing, Kerouac experimented with writing openly about his Franco-American heritage in the blunt, plainspoken joual of his youth. This experiment in his native language, which occurred shortly before he sat down to write On the Road,gave his writing a certain intimacy. “It was a very direct first-person voice,” said Johnson, “frank and open—not the self-conscious literary voice he was using before. It was a voice that would lure an ardent legion of Kerouac disciples for decades to come, with unremitting lines that build momentum like freight trains:

'55

http://www.youtube.com/watch?v=2WiK74i0bms

"Of this image of time, Deleuze retains (in L'image-temps) the continuity of "sheets of past" with the "peaks [pointes] of present," implying the cone is a vortical continuum; each sheet is a disk but also a winding stair continuing up and around in the "next" one, according to the Bergsonian formula of the flux, "interpenetration without succession."

Peter Canning, from Gilles Deleuze and the Theater of Philosophy, p.80.

"What demons do is jump across intervals, and from one interval to another." (Dialogues, p. 40)

May '68

"What counts is what amounted to a visionary phenomenon, as if society suddenly saw what was intolerable in it and also saw the possibility for something else."

Two Regimes of Madness, p. 233-234.

"Intensity is itself differential, by itself a difference."

DR, p. 222.

"The Interval is Substance"

ATP, p.478.

"The collective assemblage is always like a murmur [rumeur] from which I take my proper name, the constellation of voices, concordant or not, from which I draw my voice."

ATP, p.84.

"It is almost as if every expressing subject contained others, each of which speaks a diverse language, the one in the other."

Deleuze, Two Regimes of Madness, p.371.

"The only way the one belongs to the multiple: always subtracted."

ATP, p.7.

http://books.google.com/books?id=H4XWdN4u4OgC&lpg=PA19&ots=h6zF2K2kXP&dq=kafka%20%22sober%20revolutionary%22&pg=PA19#v=onepage&q=kafka%20%22sober%20revolutionary%22&f=false

"Language stabilizes around a parish, a bishopric, a capital."

ATP, p.7.

"What is at the bottom of the psyche but a load of cat cough-ups?"

This is a table, this is an apple, this is a piece of wax...

From DR, 35.

Food Palate Map

I think the palate is perfect example of an intensive surface.  The palate is composed of five main assemblages (sweet, salty, sour, bitter, umami).  All food is but a combination of these five attributes in the same way that a sound is a combination of frequencies.  The palate has sensitivities to certain tastes and sends this information up to the brain where it is translated emotionally (e.g. "Mmm, this pretzel is good and salty" or "This coffee is impotably bitter.").